IN THE BROADWALK OF AUTO-EROTIC LOVE AND GRIEF (SHITKICKER’S DEMISE).
Immigration Control CCTV recorded footage: B. Yapp again out of subjectivity, lost objective, head down, head in hands, moved to recapitulate, mask slipped…papier-mache crumpled…Again…he said to her and I said to you…
…I love you because you’re like me. Like me! I hate anyone younger than me, those who appears to be younger, fresher, more robust, whose DNA doesn’t appear to have careened out of control. And also I hate those older ones. I hate anyone older than me, closer to god than me, more stigmatized than me. (He looks for an age at the elephant tattoo on his shoulder, in the mirror) It’s people of my exact age to whom I really relate. Unfortunately, there aren’t many that ageless. Anyway, I love anyone who aspires, with a passion, to agelessness. In constructing a personals ad I might suggest that I’m exceedingly charming in person and likely as not to convince you to have sex with me. My trunk is fully priapic. I furnish them with the old joke, the old line…but this sort of attention seeking artlessness won’t necessarily put them off. I am Devilish. Arched eyebrow charm, that’s me, minus the arched eyebrows. I have to paint on the eyebrows. And affect the trunk. I look better in make-up of a kind that’s verging on the theatrical. Strongly etched lines, shading where necessary…coarse boned limestone tundra face, gray and wrinkled, frozen skin under mottled and warty make-up. A paintjob that shows me off to best effect. I’ve been in trouble with jealous husbands many times before, and need an effective disguise. On being disturbed at my cuckolding, I invoke lovehate. I affect a ready made masquerade stratagem, as enraged proprietorial cuckolds trip over upset trash cans, cleverly manipulated standard lamps, tipped over chests of drawers and chairs…all strewn in my wake as I beat hasty retreats from the boudoirs of my inamoratas. The anguished cries of enraged husbands and the thoroughly modern scorn of my lovers for these same husbands comfort me as I speed away on winged feet through the night. I levitate at full power outside other bedrooms, looking on with callous indifference at previously vacated love-scenes. My cheating disciples leave emotional distress and crocodile tears in their wake. I see boozy middle-aged women stocktaking lifetimes of accrued unhappinesses. Cynical, manipulative men-boys minutely calibrating moments in time, nano-computations, how long to hang around…ensure maximum emotional payoff is achieved, that the agonized female/male maelstrom is stirred up, that the gender matrix is breached, is fully milked before splitting to other unsatisfactory love-scenes. Sob love. It’s all in the wrist action. Porno scenes of emotional distress imagined and story-boarded. I get my leg over for no pay. Movies circulate on the exploitation circuit, except no-one’s exploiting me except me. I don’t need to pay for loveaction. I inveigle my way into previously solid relationships by flirting over water-coolers with the objects of my especial desire. And pouring discreet scorn on the cuckolds. And then I’m away, over the fence and down the alley. I then sell the rights to the higher bidder. Budgets aren’t big; I don’t need a full crew of technicians, key grips and gaffers, soundmen, knob twiddlers, just in voyeuristic mimesis an imagination. My eyes hold the images literally until I forget them, which isn’t going to be in a hurry.
My ambition is to die before I get older. Older than I already am that is. The compromised moment, the bridge between past and future. I hold it like ejaculate in my hands. I can’t get any older. I’m re-treading. Re-entry. I’m stuck in more senses than one in this demi-mode. Until re-entry. I’m due a skin sloughing. Shuffle off into some other cauterized universe. In love with youth, my youth and my inability to become youthful, except in love-scenes, I see possibilities opening up before me. I have tended in the immediate and mid-past, in anterior lives, to wake up screaming NOOOOOOOO!!! In the wee small hours, in the dark watches, the long dark night of the soul. By morning, I’ve usually fully regained my composure. But it takes a while. I mean this entirely seriously. The Panjandrum of Happiness fears death. Despite my suicide-assisted re-births, I fear and loathe death. There. I said it. And death comes to us if at all in the small hours. Thanatophobia is especially chronic after love-exertion. Lying there post-prandial, death visits in the small details. Apocryphal household gods get disturbing psychic visitations from past lovers, spectral figures, and are obliged to take deep breaths, to get a grip. Sometimes I see inside me and don’t know what I’m looking at. Dionysia, will she stay with me, like me? Forever? Eternally? We’re in it together, for the duration, for keeps, we’re in it. When I look at the blank wall in front of me, eyes turned inwards and away, I fear that I’ll always be like this. I worry that I’ll lose the ability to re-energise; that re-birthing therapy, gnosis therapy won’t be enough. That death really will mean death this time. It’s insane I know but sometimes I really believe that the gods within and without are in tumult, that they’re preternaturally incensed. I believe that the karmic flow has been dammed, that there won’t be any more suicide therapy. I conjecture that my time will be counted in seconds. I am a doomed worrier, awaiting re-invention. A compromised and fretful banality at these moments, that’s me. That’s what I’ve become. In the long watches, a dead leg sickening for re-invigoration, watching the spotter choppers as they circle overhead.
I need someone exactly like me, some mirror image, a blueprint for Mythic Rejuvenescence. Will she stay with me forever? You are like me aren’t you? Aren’t you? Which is, I know, a preposterous question. We’re all like each other. No difference essentially. We are now all together in the piss bowl, in civilized retro-chic. It’s a question based on a misconception…I’m no longer here now…Frank – where are you? There is no such thing as unmitigated love of the unmediated self. No-one’s going to stay behind, clearing up, making do…Dionysia has her own life to lead, her own spells to cast. Only one alter ego? Preposterous. And based on a 40s Hollywood romantic perversion. Dr. Jekyll as seen through the distorted lens. The Wolf man, Chaney transmogrifying into the other. The beauty of the beast. It’s all so simplistic. The beauty within is burnished, without tarnished. I’m a composite, but I would say that. I’ve had so many chances at love. Loveaction is a prime motivation. Other peoples’ wives. Repeatedly spurned. Feral couplings outside and inside, day in and day out. Now I literally cannot love, unless the object of my love is myself. I overlap, a convergence of interests. I refer to myself often enough in the 3rd person, like he said this, or she did that. It’s difficult to maintain integrity in these matters. To remain grounded. To achieve subjective closure.
We (I, you) lose ourselves in subjectivity. There’s no such thing as fakery. Real life and imagined life converge at the creative source. Give a man a fair chance and he’ll invent a decent enough person to be – I have invented passable imitations. With horns. My friends and doctors regard me through quizzical and gently amused eyes. When I shapeshift in front of their very eyes, they affect not to have noticed. I’m humoured, big time. You give a man No Chance, and you’ll end up with a monster. I am not a monster. I invented the image. I am the image. I speak in tongues as follows…
The self is clearly fragmented. Human beings are inveterate fictionalizers and our greatest creations are ourselves. Which by no means implies that these fictions are therefore somehow falsely realized. We create illusions…of all kinds…to make life… bearable. Those who inhale too deeply, indulge too fully, are called mad. Our ability as household gods to fictionalize is what separates us from the animals. Who have no notion that they belong to different genii. We are a genus apart…
…I say this in all seriousness, upon surfacing from unusually tedious dreamlife sorties, and I’m regarded – I regard myself – with amused contempt. Because of course I’m wrong. I couldn’t be wronger about this. My associates look at me as though I’m taking the piss, having a laugh. Strangers make haste to cross the road as I move on caged feet towards them. Levitating over and beyond them, I observe quaint look-the-other-way denial manifesting itself in their brains. In the functional degraded hippocampus. They don’t like the look of me, and I am therefore denied. I’ve achieved a kind of invisibility. People look the other way. They can’t bear to see me up to my tricks again. I can levitate at full power for hours at a time and barely attract a second glance. People affect a studious indifference. Glances are shot, if at all, surreptitiously, candidly. But I don’t have any treats, just a gift. A heaven sent gift of deniability. I am never where I’m claimed to have been, cuckolded husbands look in vain for forensic evidence. My thoughts are soon crippled if I try to force them in a direction that flies against their natural inclination. My dreams likewise. My dreams are full of pain and denial. My dream thoughts turn in on themselves.
People give me a wide birth, as you may imagine. I scry the future in plate-glass windows. Shop window displays delineate subdued, compressed, two-dimensional futures from whence all life has departed. But I see the shapes of future things in these flat-planed reflections. My distorted belly, phallus extended, acts as a kind of transmitter for future shocks, projecting me into my own visions. I’ve seen myself tomorrow and again lifted up along the Euston Rd, towards Gt. Portland St, flying horizontally, trailing whispers of visions behind. Traffic comes to a halt, or maybe is already stationary. Cars, trucks, buses, all bumper to bumper as I discern the patterns denied to everyone else through half-unseeing eyes. I see the way people avert their eyes, as though the better to hear. Listening in to the radio, vainglorious prattling and condescension of my voices a curiously comforting diversion from my reality. People in gridlock affect indifference as they’re driven mad, and my salvation is literally metres away. The verdant green of Regent’s Park, a clandestine destination, stone creatures stalking unreflective lunchers…advancing at a slow waddle, two rose sellers (£3 a bunch, £5 for three) are approaching me, elbowing aside pedestrians in statis. Spitting through swollen lips, emitting electricity, they make haste for the central reservation, brandishing the livid flora like sabres. The importunate motorists sit motionless, randomly fiddling with radio dials, stimulating voices, simulating diplomatic repose, glad to be out of the cold, a real bonus of private motoring…and at the same time fearing, mindful of the vulnerability of windscreen wipers. Impatient, lifeless with ennui, eyes glazed and fixed on the mid-distance, fingers tap tap tapping on the window frame, I like to think that I am in some small way responsible for the misery these motorists suffer. Because they don’t think they’re like anyone else, they think different rules apply. Their main lesson, still unlearnt, is that everybody is exactly the same. In all particulars. Their vehicles are 2-ton lies, shiny, beastly untruths. They’re breaking the rules I set down eons ago. Rules I didn’t make for my own benefit…And we hear the rumbling in the sky. I levitate again. A mechanized hum, pressure eases, I raise myself up. The rain comes down anew. Clouds scud past as time speeds up. Baker St is awash with beetle-like Sherlockians, attempting to divine the true location of the meta-fictional 221B. Further down near Portman Square, or up near the park? The Abbey National the most likely meta-fictional detective house or merely a frog-like cancerous lump? I’m drawn up and above Baker St because it’s Regents Park where something is happening. Some filmable event, a suicide or something…
…(Shitkicker) Here. There’s plenty here too…activist…strange old world – keep in touch…they’re fucking…have a drink mate…nothing much happening yet…fucking the buildings…this is activism 21st century style…Distorted faces, fenced in and away from the main body…the police are charging, batons raised…buildings are distorted…away from the main thoroughfare…it’s going down, going under…main chance now the buildings are fucked…gotta go to work, away from the main action…slip in the back way, over the fence…I can hear the elephants, trumpet…(Shitkicker, what’s going down there?) Here. I am right here, right now. The cameras are in place. (Shitkicker, get out of there mate. Get out of there. Think of your family, your kids…) The elephants are charging…trampling activists…the carnage is indescribable…there’s a camera pointing at me, I’m online…Here. Right here, right now…there’s a tear, a tear in the fabric. This could be my last report from the front line. This feels like the last time. This is carnage…I haven’t been here before. This is all new…a TV camera invading my privacy. Where’s the therapist? Where’s the producer? I am in front of the building…I can’t get out…it’s in front of me…the walls are collapsing…traffic is stationary…the cars are honking, the cars are trumpeting…I see the walls are coming down…any broadcastable material must be saved…but I’m here with a skeleton crew, no technology, old style box cameras, the police are going in batons raised. (Shitkicker…….SHITKICKER……SHITKICKER!!!!!!!)
Jim Shitkicker, the BBC’s own correspondent, outside Broadcasting House, reporting on the embellished lunchtime hordes, the high priests of Masonic building-love, making with the buildings on Oxford St, was trampled to death in a stampede of elephants who’d been foraging on Hampstead Heath. Their instincts honed over millennia, alerted by sudden tumescence in the hippocampus, they were drawn as though magnetized to the heavily psycho-religious, pan-sexualized, happenings in Oxford Circus. They’d stampeded south through Belsize Park, down Haverstock Hill, turned right by some arcane instinct across the railway bridge into Primrose Hill and then on down into Regent’s Park, hedges and bushes trampled and stamped on. The denizens of the zoological gardens became alarmed and set up a caterwauling, a grunting, a twittering, a bellowing and a roaring. This music of alarm was adjoined in rhythmic intensity by loud atonal guitar riffs, parts played in different keys and time stamps, played as though learned from transcribed improvisations. The ground had rumbled and rocked. Shitkicker had been on top of Broadcasting House. Some cameramen had observed him, seemingly in conversation with a masked figure, one of the building fuckers who’d gained access to the roof, we thought at the time. In his excitement leaning out over the parapet apparently to achieve a better view, so we thought, he’d suddenly seemed to lose his balance. He’d been a much loved correspondent…richly gravelly in tone, at once avuncular, cod-curmudgeonly and yet archly impertinent and abrasive in dealing with recalcitrant and evasive politicians and other degraded public figures. A correspondent at heart, however, his elongated nose for the real news always seemed to lead him to the heart of events. His devotion both to a fine sense of duty and to the sound of his own voice will be missed by all who knew him. A statue to the memory of Jim Shitkicker will be erected on Broad Walk in Regent’s Park, in sight of the elephant enclosure. Those who were in the park at the time have testified in writing to the overwhelming feelings of emotional bereavement they experienced in that wide thoroughfare during these events.
It was the Broad Walk of Love/Grief. Many witnesses have attested that they personally were, inexplicably, consumed with intolerable and heartfelt grief for a figure they knew, and could only know, by proxy. His martyrdom to the cause of promoted life struck a chord within them so deep and reverbatory that they were quite overcome with grief. They saw the herds that lumbered southward taking Shitkicker with them. He was borne away by the herd, a spectral trumpeting presence, an ethereal emanation of mammalian numinosity. There was an electrical surge as they passed, short-circuiting all power supplies in the immediate vicinity. They were passing through the fissured space, drawn there by the re-birthers’ building-love, a viable conduit to the future or past. The fissured space of the present suddenly tangible to all who witnessed the event. Not sex magick, but sex-elephant love. The transcendence of the moment was palpable. Heavily modulated and overdriven blues, slide guitar phrasings up in the mix, bass clarinet call and counter call, was heard as though in a dream. People looked at each other, fell into reveries, devotional trances. A window similar to that last seen at the airport was opened, a moment when the fractured past co-mingled with the profane present and the numinous future. Love was in the air. Frank was heard to croon a tune or two. A broken cracked voice wilting in the burnt air. Partners re-affirmed marriage vows, spontaneous copulation was non-judgmentally observed to take place between in-love couples, snaky trunk coils were entwined, and the trumpeting in the air was mixed with the keening of those who had just ditched unfaithful girlfriends or feckless boyfriends. Loveless cynics wept openly. It was an Arcadian scene, a prelapsarian dream. A Gnostic devotional template.
We bottled it. I bottled it. I am already in love. The population in trance, a chance to re-configure. Lost almost immediately. A potentially cinema friendly experience, the elephants were nonetheless un-filmable. No camera crews present at the time were able to catch the moment exactly as it happened. Exposed footage was revealed as an aphasic blur, soundtracks were drowned in white noise through which could be heard a faint but largely indecipherable trumpeting. The strangeness of the day was felt for some time afterwards. The civic authorities bottled it. The whole mood of the country underwent a change, as elucidated in the park, which could never have been predicted from the limited popularity of a much-loved broadcaster. The buildings in Oxford Circus that had been host to the erotically aroused re-birthers were enshrined as places of religious retreat. The BBC was re-consecrated as a Holy Place. And the crowds of baseball capped would-be starlets and ghosts began to retrace their steps, negotiating a widdershins course down Portland Place, back up Great Portland St, returning into the dark night whence they came. The age of the megaphone personality is dead upon us. The lease for religious revival meetings at Wembley stadium has been renewed, thus saving the uncomfortable pile from demolition. Sports take a back seat, as does corporate mid-Atlantic rock. It is now host venue to weekly Elephant Gnosis revivals and happenings. The agents of religious learning and theological teachings and pitchers of sitcom ideas to the networks are quids in. Educational courses based on the new mood abroad are advertised and parts are available in new plays and films, hurriedly scripted to capitalize on phony mammalian religious devotion and attendant ironic takes on same. White elephants are rife, but it’s a start. People look at each other and they look into mirrors. They see themselves and they see themselves transformed. They see haircuts for which they never asked. They hear the buzzing of electric razors and the swish of barbers’ tunics. Time to clock out. It’s love, because you’re all like me. I am the sultan of seismic love-action, mashing up the over emotional pulp, of change for change’s sake. I open the gates of the kingdom and everyone is changed. The mask is slipped.